Peter Mountain, Universal
Dominic Cooper, as Amanda Seyfried's fiance in the movie "Mamma Mia!," has an impressive resume.

Dominic Cooper has a short resume in theater and film, but it is nonetheless impressive, and with his brooding good looks he just may be the next British heartthrob to make it big in the United States.

After all, Cooper was the object of desire in "The History Boys" and co-stars with Keira Knightley in the forthcoming movie "The Duchess." And now, he can be seen as the adorable and buff fiance Sky in the movie adaptation of "Mamma Mia!," the popular musical that features the songs of ABBA.

"I don't think I'm handsome," Cooper says by phone from Berlin, where he attended a premiere of "Mamma Mia!" the night before. "I look like a root vegetable on the screen. Wait until you see 'The Duchess.' I wear the most ludicrous wigs — next to Keira, I look like a turnip."

Although Cooper, 30, believes he is lacking in the looks department, the only root in his future right now will be from his fans.

Cooper first came to the attention of Americans when he played Dakin in Alan Bennett's Tony-winning play "The History Boys," adapted for the screen in 2006. He also made a splash as Willoughby in Masterpiece Theatre's "Sense and Sensibility" and played opposite Scottish actor James McAvoy in "Starter for 10." But "Mamma Mia!" is the first movie he'll appear in that has big box-office possibilities and worldwide notice, as well as a star-studded cast headed by Meryl Streep, whom Cooper said had a big influence on him.

"When you stop learning is when you stop being in the theater," Cooper said. "You just learn such a great deal from her. How Meryl tries things out is just fantastic. She explores the text in a way to make it work in her favor.

"So does Richard Griffiths," Cooper adds, referring to the star of "The History Boys." "They make it so natural."

In "Mamma Mia!" Sky is engaged to Sophie (Amanda Seyfried of "Big Love"), who is trying to find out which of three men (Pierce Brosnan, Stellan Skarsgard and Colin Firth) is her father. Sophie, pretending to be her mother, Donna (Streep), sends wedding invitations to the three men. Donna's two best friends (Christine Baranski and Julie Walters) also come to the Greek island, where the wedding will be held at Donna's inn.

Throughout the film, directed by Phyllida Lloyd, best known for her work in theater and opera, the music of ABBA is integrated into the story line. At first, Cooper was concerned about singing and dancing — he almost didn't audition because of that — but found out he wasn't alone.

"None of us pretended we were good singers or dancers," said Cooper, who grew up in Greenwich, England, and honed his craft at the London Academy of Music and Dramatic Art. "We were totally unequipped. You could see that look of fear, but we had to embrace it and go for it.

"I thought my singing and dancing were hateful," he jokes.

Despite Cooper's disclaimer that he can't sing, he does acknowledge a love of music and his own interpretation of ABBA.

"I had this secret desire to be a rock star," Cooper says. "... I had a girlfriend then who pushed me into wearing a fur coat, and there's a video of me singing an entire track of 'Money, Money, Money' in a fur coat when I was 13."

Although Sky is a small part, Cooper's time on the screen is memorable. With his dark hair and good looks, he's drawn comparisons to Firth.

"He jokes that he hates my being tabbed the next Colin Firth," Cooper says. "I get along really well with Colin. He has a very dry sense of humor, and I have a long way to go to be like him."

Cooper doesn't want to be known as that brooding guy, and he has already gone against type in some forthcoming films. For a BBC production of "God on Trial," about Jewish inmates at Auschwitz who question God, Cooper shaved his head. And he's very proud of "The Escapist," co-starring Brian Cox and Joseph Fiennes, in which Cooper plays a convict who is part of a prison escape plan.

"It was shot in 26 days," he says. "So rushed and so brilliant."

Cooper's enthusiasm is evident in everything he talks about. He has fond memories of all of his work — and especially of "Mamma Mia!"

"Being six weeks on a Greek island and working with all these people was incredible. I felt we were part of something truly special. After we got over the barriers of making great fools of ourselves, it was more fun than anything else. Everyone who collaborated on it was wonderful. We're all part of the outcome. I think we proved ourselves."