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Stage Review: 'Curtains' is old-fashioned fun
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I think Hale often does it without asking. I am surprised they haven't been burned by that before.
But Hale knows their audience. In fact, they know middle America. It's why they are one of the few theatres growing through the recession rather than closing their doors.
Most theatre-goers outside of critics circles in New York would be shocked by the language of the original Debra Monk character. (Yes, I did see her brilliant, but obscenity-laced performance.) But losing a few curses for other less offensive words doesn't have to lessen the impact of the character, just her vulgarity - and thus, her likability to audiences in mainstream America.
But, for anonymous, I wasn't at all 'shocked' and I'd hardly call it a obscenity-laced performance. There was the s-word, the d-word and hell. It's not like she had the mouth of a trucker.
My friend went to preview and texted me at intermission that she said "Holy Shnickes! (I don't even know how to spell it.)
I'm sorry... but that's lame.
Hale certainly does know its audience: a non-assuming, easily offended, easily entertained, very talkative, LDS group.
They cater to this group and do very well. I'm sure a lot of their shows are high quality. But I've seen some schlock and have been offended at their attempts to protect me from the color of theater.
I'm done going there. I have been for a while. They don't miss me. They don't need me as a patron. But I'm not who they cater their shows to.
Take it for what it is: a fine theater that has found its niche in a very unique market.
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You said:
"I was disappointed at some of the cuts the theater made to the role, however, as the character lost a bit of brass and wasn't able to grow as much."
Can you elaborate on that? Theatres aren't allowed to just make changes to the role, are they?
I saw this on broadway and LOVED it. I will be so disappointed if they changed the script.
Can you comment on that Erica? How do they get away with changing the words in the script?