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How Stella Got Her Groove Back
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Cast: Angela Bassett, Taye Diggs, Whoopi Goldberg; based on the novel of the same name
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- Jazz missing 4 to injuries 12:55 a.m.
- Pitta doesn't win award 12:47 a.m.
- Jazz manage a magical win 12:43 a.m.
- Speed skating tuneup Friday 12:41 a.m.
- BYU football: NCAA awards 12:30 a.m.
- Magic unable to continue road act 12:26 a.m.
- Fans should worry about lousy teams 12:24 a.m.
- U.S.-born Hispanics see gains 12:23 a.m.
- Editorial: Extremism spike alarming 12:23 a.m.
- No need for more stimulus 12:22 a.m.
- Nude bathers cited for lewdness
- Few details on missing W.V. mom
- Defense witness goes on offensive
- BCS = power conference monopoly
- Jazz fall apart late at L.A.
- Unga might enter NFL draft
- 5 officers lose their certification
- Y.'s Emery bruised, but rarely beaten
- Crash landing next to I-15
- Palin signs books, chats with fans
- Letters: Global warming a lie
256 - TCU to play Boise in Fiesta Bowl
206 - BYU football: Bronco weighs in on Hall
193 - Palin signs books, chats with fans
165 - Utah/BYU rivalry can be more civil
150 - Cougars going back to Vegas
150 - Andersen apologizes for Jordan hoax
142 - Max Hall wants to look ahead
124 - Nude bathers cited for lewdness
123 - Jazz fall apart late at L.A.
110
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energetic, imaginative, volcanic talents whom -- given the
right material -- can contribute some quite remarkable
products. Nicholas Cage astounded us with his Oscar-winning
turn in LEAVING LAS VEGAS, and the hot-and-cold De Palma is
a techincal virtuoso, who, in 1981, created the brilliantly
hypnotic BLOW OUT (one of my top 10 films of all-time).
Here, working with a script concocted by De Palma and David
Koepp, we have an actor and director trashing their talents
in one of the stupidest scripts ever to be greenlighted by a
major studio. The overall premise could have been workable,
yet the contextual components, such as believable
characterizations and plausible plot points, are dismally
bad, leaving the audience with an overacting, hyperactive
Cage and some at-times colorfully lucid cinematography
(compliments of Stephen H. Burum, De Palma's regular
photographer).