After watching the new DVD release of “Samson and Delilah,” I immediately looked up the ages of Angela Lansbury and Hedy Lamarr to see how old they were in 1949. Couldn’t help myself.
In the film, Lansbury’s character is identified as Semadar, the older sister of Lamarr’s Delilah, which struck me as odd since Lansbury appears to be at least a decade younger than Lamarr, more of a “kid sister” type.
But in this adaptation of chapters 14-16 of the book of Judges in the Old Testament, Lansbury is indeed playing Delilah’s older sister, although when the film was released she was just 24 (and looked even younger), while Lamarr was a more mature 36.
A surprisingly odd casting choice by the usually savvier Cecil B. DeMille, who directed and produced the film.
Nonetheless, “Samson and Delilah” was the biggest moneymaking movie of 1949 and is considered the picture that sparked the biblical-epic film craze of the 1950s (followed quickly by two of 1951’s biggest box-office hits, “Quo Vadis” and “David and Bathsheba”).
Next Tuesday, 64 years after its theatrical debut, “Samson and Delilah” is finally coming to DVD for the first time (Paramount, $19.99), having gone through an expensive, time-consuming restoration process. And it looks great.
The story has the Israelite Samson blessed by the Lord with incredible strength, all the better to put fear into the Philistines that rule his people with an iron fist.
Victor Mature is very well cast as Samson, and there are memorable performances from George Sanders as the evil Philistine ruler and Henry Wilcoxon as his enforcer. And it must be said that despite being a bit long in the tooth for the role, Lamarr is appropriately seductive and duplicitous as Delilah.
Observant viewers will also notice as Saul, teenage Russ Tamblyn, who would later play Riff in “West Side Story,” and in a bit part, George Reeves, destined to become TV’s first Superman. Mormon character actor Moroni Olsen is also on hand.
The film, of course, takes liberties to expand the Bible’s brief telling of Samson’s story — arguably, the most egregious being the idea of making sisters of Delilah and Samson’s Philistine wife.
But all of Samson’s most famous Bible scenes are here, from his wrestling a lion to his riddle about the honey he finds in the animal’s carcass to the killing of Philistines with the jawbone of an ass to his teasing Delilah about the source of his strength to his being blinded and ultimately toppling the Philistine temple.
Despite its popularity in 1949, “Samson and Delilah” isn’t likely to win over many young converts in 2013. The film is pretty hokey by modern standards. That is, by modern theatrical motion-picture standards. Compared to biblical films that have been made for television over the past few decades, this one’s a masterpiece.
Even the infamous sequence early in the film that has Samson rolling around with that lion, which has long been berated by critics as looking quite fake, isn’t nearly as bad as ABC’s 2006 version of “The Ten Commandments” or the 1999 “Noah’s Ark” or myriad other dull, overlong biblical TV movies with lousy effects.
Baby boomers who remember being taken as children to see “Samson and Delilah” in a theater will bathe in fond nostalgia, and film buffs will want to see for themselves its historic value as the first of the “new wave” of biblical epics, and as Cecil B. DeMille’s dry run for what would come seven years later, his final film and biggest hit, “The Ten Commandments.”
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