John Shearer, AP
Near the end of the 55th annual Grammy Awards on Sunday night, British songstress Adele stood alone on the stage at Staples Center to present Album of the Year — the evening’s final and most prestigious award. One of the five nominees was Mumford & Sons, a folk quartet from England with Christian roots and faith-based lyrics.
And if Mumford & Sons was going to win the final Grammy, they’d basically need a miracle comeback.
Indeed, the Mumford men had entered the evening as consensus favorites to take home hardware in several of the major Grammy categories — but the forecasted dominance never quite materialized. By the time Adele began to read aloud the Album of the Year nominees, Mumford & Sons had won only one of the five Grammys for which the group had been nominated.
Conversely, another Album of the Year nominee — the Black Keys — had more momentum than a runaway train. The garage-rock duo from Akron, Ohio, had already claimed four Grammys, including Best Rock Song and Best Rock Performance — two categories in which the Black Keys had bested Mumford & Sons head-to-head.
But as Adele pried open the sealed envelope, the biggest award on music’s biggest night went to singers who are earnest about their faith and an album whose title is clearly a biblical allusion.
Making the band
When drummer Marcus Mumford and double bassist Ted Dwane got fired from the backing band of a London-based musician in 2007, the pair quickly caught on as supporting players for the up-and-coming folk singer Laura Marling. Mumford was already on close terms with another member of Marling’s band, banjo player Winston Marshall, dating back to a time when a younger Mumford and Marshall played together in a church worship band.
The Mumford-Dwane-Marshall trio added keyboardist/pianist Ben Lovett to their side project, and near the end of 2007 the four men founded Mumford & Sons. The band’s moniker started out as a tongue-in-cheek effect, but the name stuck in spite of the members not being blood relatives and the fact Marcus Mumford does not dictate to the three “Sons” in the vein of eponymous musicians such as Jon Bon Jovi or Eddie Van Halen, who always call the shots in the bands that bear their names.
All four members of Mumford & Sons are multi-instrumentalists, but a common lineup was on display Sunday when the band performed at the Grammys: Lovett played keyboard; Mumford sang lead vocals, strummed acoustic guitar and thumped a kick drum with his right foot; Marshall picked banjo; and Dwane plucked double bass. British newspaper The Independent recently described their sound as “a little country, a little spiritual, a little folky, (and) lots of things to lots of people.”
Rooted in faith
Several things about Mumford & Sons fuel speculation regarding the band’s proximity to Christianity. For starters, Marcus Mumford’s parents are leaders in the formidable evangelical Vineyard Church in England and, not coincidentally, religion played a big part in Marcus’ upbringing.
Second, many of the songs on both “Sigh No More” (the band’s 2009 debut) and “Babel” (released this past September) are laden with biblical allusions and religiously evocative language. For example, the track “Below My Feet” from “Babel” contains the lines, “And I was still, I was under your spell / When I was told by Jesus all was well.”
At the same time, some of the band's song lyrics also contain explicit language, including several instances of the f-word in “Little Lion Man” and “Broken Crown.”
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