Concert preview: Soloist Mandy Patinkin creates dramatic monologues from song repertoire
When performing in concert, Mandy Patinkin uses the title “Dress Casual” — which comments on his performance attire but also defines the rapport he develops with audiences.
“My concert outfit is very casual, and it’s as much a statement as another performer who comes on stage in a tuxedo with a bunch of women in glitzy dresses,” he says. “I’m just trying to say that I want to have a relaxed atmosphere. I want you to feel that you’re at home and we’re all in the living room, enjoying an evening together.”
The master showman brings “Mandy Patinkin: Dress Casual, with Paul Ford on Piano” to BYU’s de Jong Concert Hall on Friday, Aug. 31, and Saturday, Sept. 1.
A celebrated star for his roles on Broadway (“Evita,” Tony Award), TV (“Chicago Hope,” Emmy Award) and film (“Yentl,” Golden Globe), Patinkin receives consistent raves for his concerts and treasures the opportunities the diverse acting arenas provide.
“They are all very, very different worlds and I can’t compare them, but they all feed each other. I find that I work at a better level when I’m doing several things at once,” he explains. “So the fact that I’m shooting ‘Homeland’ episodes for the Showtime network right now and going on the concert tour and creating new shows — I’m also developing a new concert series — gets my juices going. I’m much more productive when I’m doing more than one thing at once.”
Credited with redefining the musical-theater concert, Patinkin “gave birth” to “Dress Casual” on his off-Monday nights while performing on the same stage in “The Winter’s Tale,” at the Joseph Papp Public Theater in New York’s Greenwich Village. The unadvertised run of six shows sold out in a few hours, based on word of mouth and the overwhelming success of “Mandy Patinkin,” his debut album.
“After I finished the movie ‘Dick Tracy’ (playing Madonna’s piano player, 88 Keys), I opened ‘Dress Casual’ on Broadway at the Helen Hayes Theatre, did it for a month there and we’ve been doing the show for 25 years since. It’s not the same concert, obviously. Paul Ford and I do a different show every night. We have about 10 hours of music that we keep on rotating.”
At these first concert outings, Esquire magazine called him “the greatest singer of theater music that we have,” while the New York Times wrote that the shows were “a tour de force of high-wire emoting, comparable in its feverish intent to the most indelible records of Al Jolson, Judy Garland and Barbra Streisand.”
Rather than the “greatest hits” repertoire of popular concert vocalists or an evening replicating musical hits performed by theater singer-actors, Patinkin carefully selects classics of the American Songbook and contemporary show tunes and uses them as dramatic monologues to portray characters through the impassioned lyrics.
“I’m an actor first and a singer second,” the Juilliard graduate says. “It’s the lyric that interests me the most. Although I’ve never found a good lyric that wasn’t married to a good melody.
“I enjoy telling stories, but I’m just the mailman. These very gifted people, very much like geniuses, wrote these wonderful thoughts and wishes to be passed on from generation to generation, and I deliver the mail.”
The captivating stories Patinkin presents in song are about transformation.
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