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A 'Million Dollar' night of musical theater at Capitol Theatre

By Blair Howell

For the Deseret News

Published: Thursday, May 31 2012 5:29 p.m. MDT

Christopher Ryan Grant as Sam Phillips in The National Tour of Million Dollar Quartet (Photo by Joan Marcus)

Joan Marcus, ?2011 Joan Marcus

"MILLION DOLLAR QUARTET," through June 3, Capitol Theatre, $57.50-$42.50, 801-355-2787 or arttix.org

SALT LAKE CITY — The "Million Dollar Quartet" creative team wants audiences to forget that we are comfortably seated in a theater. The hope is that we feel as if we're inside the tiny Sun Records recording studios alongside the musicians at an impromptu 1956 jam session.

Not only does "Million Dollar Quartet" accomplish that goal, but there's also a whole lotta shakin' goin' on.

As any rock 'n' roll historian will tell you, Dec. 4, 1956, is a momentous date, and fans of the up-tempo genres of rock, rockabilly and country speak of the session in hushed tones. The four most influential rock pioneers began a recording together with their mentor-producer and studio owner. The hit Broadway show titled after these legendary recordings fictionalizes the events of that session.

You might have heard songs from these musicians — Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins.

The session was originally scheduled to cut a follow-up to "Blue Suede Shoes" for Perkins, with newcomer Lewis at the keyboards. But Cash was there to listen in, and then Presley dropped by. Though not mentioned in this dramatization, "Cowboy" Jack Clement was engineering that day and said to himself, "I think I'd be remiss not to record this." He did, and the rest is history — and now an evening of terrific theater.

The show becomes a dream event with the four Hall of Famers. As audiences enjoy snippets of their hit songs being performed by the actors, we see their distinctive personalities and friendly rivalries. And to make "Million Dollar Quartet" a true stage musical rather than a tribute band performance, Sun Records owner Sam Phillips introduces a few quick flashbacks to reveal the musicians' history, and he bemoans the conflict between large record labels that can reach the masses and the smaller labels that take chances on new artists.

With the slim plot and live performance of 21 songs by the talented cast of eight performers, it's the director's difficult task to guide the show and to rely on the their abilities to make this show a success.

Eric Shaeffer, co-founder and artistic director of the Tony-winning Signature Theatre in Arlington, Va., maintains his direct involvement in the show.

Three of the lead actors give outstanding performances as singing actors and acting singers. In the largest of the roles, Lee Ferris is Carl Perkins and Martin Kaye is Jerry Lee Lewis. Ferris and Kay bring the friendly, down-home humor to the show along with terrific performances, especially in Ferris' "See You Later, Alligator" and Kaye's "Great Balls of Fire." As Johnny Cash, Derek Keeling overplays a tad the basso-profundity of the superstar's voice, but his low-key humility is completely on target. He growls out impressive versions of "Folsom Prison Blues," "Sixteen Tons" and "Riders in the Sky."

Cody Slaughter was voted the 2011 Ultimate Tribute Artist of Elvis impersonators in a fan poll and has all of the hip shaking and live-wire physicality of the artist down pat.

The show seamlessly combines tremendous performances of musical milestones with an entertaining back story for a winning night of musical theater.

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