John Lithgow adds to his list of fascinating men

By Mark Kennedy

Associated Press

Published: Wednesday, April 25 2012 12:00 a.m. MDT

In this theater image released by Boneau/Bryan-Brown, John Lithgow portrays columnist and political pundit Joseph Alsop in a scene from the play "The Columnist," playing at the Samuel J. Friedman Theatre in New York.

Bryan-Brown, Joan Marcus, AP Photo/Boneau

NEW YORK — There is a certain cosmic sense of humor in John Lithgow's latest role on Broadway.

The actor, who recently admitted evading the draft for the Vietnam War while in his 20s by peeing on himself and acting crazy during an Army interview, now plays a fervent pro-Vietnam War defender in "The Columnist."

"I deeply appreciate the ironies of the play," the 66-year-old Tony- and Emmy-Award winner says with a knowing smile from a couch in his dressing room at the Samuel J. Friedman Theatre.

Lithgow plays columnist and political pundit Joseph Alsop, a feared and respected figure in mid-century Washington whose opinions were syndicated in hundreds of newspapers and who counseled presidents — whether they liked it or not — for decades.

In the play by David Auburn, the audience is introduced to a complicated Alsop, a New Deal liberal who was a knee-jerk anti-communist, one of the first to decry the red-baiting tactics of Joe McCarthy and also a closeted gay man who the Soviets tried to blackmail into becoming a spy.

Lithgow, who knew vaguely of Alsop while growing up, fought for the part as soon as he read it, hoping to add it to his rich list of fascinating characters, from the High Commander in "3rd Rock from the Sun" to the anti-dancing minister in "Footloose" to playing a serial killer on "Dexter."

"You read a play like this, you just do it. You drop everything and just do it," says Lithgow. Of Alsop, he adds: "His contradictions are so fascinating and that's what you look for characters — dualities and secrets and compensations."

But is it not odd for an anti-war, draft-dodging protester to play a fierce supporter of the United States effort in Vietnam?

"I'm a character actor," he replies with a laugh. "The best parts to play are the ones most different from me. I'm the guy who played the Trinity Killer, for God's sake, and loved every minute of it."

The role demands every ounce of Lithgow's intellect and humor, requiring his Alsop to be naked in one scene, screaming into the phone the next and then purring lines like: "Everyone knows me, everyone fears me, so if you're with me you are guaranteed a good table at restaurants."

Lynne Meadow, artistic director of Manhattan Theater Club, which produced "The Columnist," says Lithgow brings everything you'd want in an actor: experience, collaboration, intellect and passion. "He is the very definition of a leading man. He leads. There's no one in this company who wouldn't follow him. I joke that each season I try to lure him back."

Playing a journalist is nothing new for Lithgow, who won a Tony for playing a Walter Winchell-type columnist in the 2002 musical "The Sweet Smell of Success." He also earned a Tony in 1973 for his Broadway debut in "The Changing Room."

On screen and stage, he's been a transsexual football player ("The World According to Garp"), a man duped by a transsexual ("M. Butterfly"), a shy lover ("Terms of Endearment"), and pure evil ("Cliffhanger" and "Ricochet"). He was last on Broadway in "All My Sons" in 2008-09 and "Dirty Rotten Scoundrels" in 2005-06.

"I'm the cock of the walk in New York theater. I'm not a big deal in movies. I've been in some wonderful movies recently but in small roles," he says. "And I like to play big parts."

Lithgow says he's thankful that Alsop, who died in 1989 at age 78, is not that well known. "It's very liberating to play someone who no one remembers," he says. "No one's comparing me with some image."

The play opens with Alsop in his heyday and then charts his decline as his pro-war stance grows increasingly out-of-touch, and younger reporters like David Halberstam dismiss him as a "preening D.C. socialite with a press pass." How he handled his sexuality and an attempt to blackmail him is also addressed.

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