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Wrong turn grants glimpse behind N. Korean curtain

By Tim Sullivan

Associated Press

Published: Thursday, April 12 2012 2:04 p.m. MDT

A woman carries a baby on her back in Pyongyang, North Korea neighborhood on Thursday, April 12, 2012.

David Guttenfelder, Associated Press

PYONGYANG, North Korea — The press bus took a wrong turn Thursday. And suddenly, everything changed in the official showcase of North Korean achievement.

A cloud of brown dust swirled down deeply potholed streets, past concrete apartment buildings crumbling at the edges. Old people trudged along the sidewalk, some with handmade backpacks crafted from canvas bags. Two men in wheelchairs waited at a bus stop. There were stores with no lights, and side roads so battered they were more dirt than pavement.

"Perhaps this is an incorrect road?" mumbled one of the North Korean minders, well-dressed government officials who restrict reporters to meticulously staged presentations that inevitably center on praise for the three generations of Kim family who have ruled this country since 1948.

So as cameras madly clicked, the drivers of the three buses quickly backed up in the narrow streets and headed back toward the intended destination: a spotlessly clean, brightly-lit, extensively marbled and nearly empty building that preserves digital music recordings and makes DVDs.

It was at the Hana Music Information Center, a guide told the reporters, where North Korea's longtime leader, Kim Jong Il, made one of his last public appearances before his December death.

"I hope that the journalists present here report only the absolute truth," said Ri Jinju, her voice trembling with emotion, her flowing hair frozen with hairspray. "The truth about how much our people miss our comrade Kim Jong Il, and how strong the unity is between the people and leadership, who are vigorously carrying out the leaders' instructions to build a great, prosperous and powerful nation."

In North Korea, it's hard to know what's real. Certainly, you can't go looking for it.

Anyone who leaves the press tour, or who walks from the few hotels where foreigners are allowed, can be detained by the police and even threatened with expulsion.

But even in such a controlled environment, reality asserts itself.

Is reality the cluster of tall buildings within view of the main foreigners' hotel, where long strings of bright, colored lights are switched on when the sun goes down, illuminating entire blocks like some gargantuan Christmas decoration? Or is it the vast stretches of Pyongyang, by far the most developed city in impoverished North Korea, that go deathly dark at night?

Is the reality along Pyongyang's drab-but-spotless main roads, the only streets that journalists normally see, with their revolutionary posters urging North Koreans to struggle toward a Stalinist paradise? Or is reality on the streets near the music center?

"They've left very few stones unturned in North Korea," said Anthony Brunello, a professor at Eckerd College in St. Petersburg, Florida, who has studied totalitarian propaganda methods. He said officials will go to nearly any extreme to create a system that will keep the Kim family in power.

If that means using propaganda that seems insensible to outsiders, few of whom believe the official version of Pyongyang as a communist idyll, it is very logical in Pyongyang. After all, the Kims still hold power.

"They've managed to create a process of control that works," he said.

Most foreign visitors to Pyongyang never encounter a pothole, a traffic jam or a piece of litter larger than a cigarette butt. There see no people with physical disabilities, and no graffiti.

They normally see only the clean streets outside their bus windows, and the showcase buildings — the Victorious Fatherland Liberation War Museum, the palace commemorating the Kims' "juche" philosophy of self-reliance, the computer labs at Kim Il Sung University — filled with people that the minders insist are everyday North Koreans.

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