Daniel Craig, Hugh Jackman open play on Broadway

NEW YORK — James Bond and Wolverine have hit Broadway.

Daniel Craig and Hugh Jackman gave their first performance Thursday night in the play "A Steady Rain." In it, Craig and Jackman play Chicago police officers confronting professional and personal difficulties.

The 90-minute play, which has just two characters, arrives in New York after a well-reviewed run in Chicago with a different cast in 2007.

Craig and Jackman have significantly increased the star wattage of the production. Craig skyrocketed to film stardom as the latest cinematic James Bond, and Jackman plays Wolverine in the "X-Men" movies.

They drew a standing ovation from the sold-out Gerald Schoenfeld Theatre audience on Thursday. It was Craig's Broadway debut.

Star-driven productions have become commonplace on Broadway in recent years, with notable visits from Katie Holmes and Julia Roberts. But Jackman and Craig bring a Hollywood masculinity to the stage. (They aren't alone this season; Jude Law is performing in "Hamlet.")

Both have theater experience, too.

Jackman is a Tony winner for his performance in "The Boy From Oz." He also starred in "Carousel" at Carnegie Hall and "Oklahoma!" at the National Theater in London, among others.

Craig is less seasoned on the stage but has starred in "Hurlyburly" at the Old Vic, "Angels in America" at the National Theatre and "A Number" at the Royal Court Theatre.

"A Steady Rain" is remarkable for its staging — through storytelling and monologues — of material traditionally the domain of the movies. Both actors sit in and roam around chairs facing the audience to directly tell a tale that would normally befit the big screen, complete with car cashes and gun fights. Jackman performs with an Italian-American accent; Craig's character has an Irish-American accent.

From interviews with audience members after the show, the crowd was impressed.

"They were probably better than I expected," said Matt Serota, a young theatergoer from Long Island. "It was amazing how they were able to go from very docile to grab-your-throat (intensity) against each other, against the audience."

Christine Martino and Caye Hursey, friends visiting New York from California, spilled out of the theater eagerly discussing the play.