Bidding lackluster at art auctions

NEW YORK — On Day 2 of the fall auction season, a Russian masterpiece expected to sell for up to $3 million at auction did not find a buyer Wednesday, further underscoring the impact of the global financial crisis on the art market.

Not one hand went up when "View of St. Petersburg" by Alexei Petrovich Bogoliubov was offered at Sotheby's morning sale of important Russian works from the impressionist and modern periods.

Many other works sold at or below their pre-sale estimates; others did not sell at all. Final results were unavailable because sales were still under way.

It was the second day of lackluster bidding at the annual fall art season. On Monday, Sotheby's kicked off the season with masterpieces by Edgar Degas, Kazimir Malevich and Edvard Munch that fetched impressive prices. But a high percentage also went unsold — 25 works did not sell while 45 did.

Ian Peck, chief executive of the art finance firm Art Capital Group, had predicted that the lineup Wednesday, which emphasized Russian artwork, would be a test of the "appetite and interest" of Russian buyers.

The high-end art market had stumbled in recent months as hedge fund traders, financiers and other deep-pocketed buyers from Russian, Europe and the Middle East have fallen victim to turmoil in global markets.

Monday's mixed results "firmly demonstrated that the concept of a recession in the art market is not abstract but real," Peck said. "Prices in all categories — the trophies, the great and the merely very good — were less contested, if at all, and end prices were likely reduced by 20 to 40 percent."

Christie's kicked off its first auction of the season Wednesday evening with paintings, sculptures and decorative arts from two private collections of works by Pablo Picasso, Henri Toulouse-Lautrec, Edouard Manet and Paul Cezanne. Its combined pre-sale estimate was $130 million.

Among the highlights of the Alex and Rita Hillman collection were Toulouse-Lautrec's "Portrait de Henri Nocq," which sold for $4.5 million, significantly below its pre-sale estimate of $6 million to $8 million, and Manet's "Fillette sur un banc," which had an estimate of $12 million to $18 million but didn't sell.

The second collection is owned by designer and philanthropist Alice Lawrence and includes Mark Rothko's "No. 43 (Mauve)," which was valued at up to $30 million but didn't find a buyer.