Movie critics' sign-off brings back memories

The recent announcement that Roger Ebert and Richard Roeper were severing ties with "At the Movies" brought back a flood of memories for me, going all the way back to the early 1980s.

That's when the original predecessor to "At the Movies" — a PBS program called "Sneak Previews" — was airing nationally (after starting out as a local Chicago show).

"Sneak Previews" gave Ebert his first national stage, along with his partner Gene Siskel (who died in 1999, which eventually led to Roeper coming onboard).

Siskel and Ebert — or Siskbert, as show-biz insiders began to refer to them — had a huge impact on the television landscape, as well as American film criticism.

At one point there were no less than three movie-review shows on national TV, though the competition failed to rise to the level of those two Chicago newspaper guys verbally sparring over the latest releases.

Of course, it helped that they had been working at competing papers for several years — Ebert at the Chicago Sun-Times and Siskel at the Chicago Tribune. They knew each other well, they had chemistry, they were both witty and articulate, and they knew their stuff.

Most important, they loved movies, and it showed.

When Siskel and Ebert both gave a "thumbs up" or a "thumbs down" to the same movie, it made for a lively discussion. And when they disagreed, it was electric, funny and sometimes even suspenseful. (Would they actually come to blows?)

Their success also opened the door for local movie critics around the country ... for good or ill. Good because it encouraged better moviemaking and thoughtful moviegoing. Ill because sound-bite equivalents to the "thumb" reviews replaced thoughtful analysis.

Personally, it gave me a career. In 1982 I somehow talked KSL-TV into hiring me as the station's movie critic, a post I held for 13 years (while I was also the movie critic for the Deseret News). I had no previous TV experience — but I loved movies, I was passionate about them (still am), and it was enough to carry me through.

Without Siskel and Ebert, however, it wouldn't have happened.

Of course, my local success in Salt Lake City couldn't even approach theirs. But I had a good run, riding on their coattails.