Artist Nunca's untitled DC3 plane catches the last of the sun's rays at the Pima Air & Space Museum for the show: "The Boneyard Project: Return Trip" on Jan 26, 2012 in Tucson, Ariz. The show is presented by Eric Firestone in which a number of artists from around the world have painted various planes to be on displayed at the Pima Air and Space Museum.
Arizona Daily Star, David Sanders) MANDATORY CREDIT, Associated Press
TUCSON, Ariz. — Eric Firestone was haunted by Tucson's boneyard, the place where old government planes went to die.
The gallery owner, who splits his time between here and East Hampton, N.Y., just knew that the heaps of scrap metal — wings, nose cones, cockpits and even entire planes that had been gutted — could serve as canvases.
"I've never been so sure of an idea or a project before," Firestone said as he recently strolled through the far end of the Tucson Pima Air & Space Museum field where the works of art he so passionately launched are on display.
"The Boneyard Project: Return Trip," which will run through May, is a massive exhibit with an international roster of artists.
Firestone worked with Brooklyn-based curator and art critic Carlo McCormick, who pulled on his deep knowledge of and relationships with some of the world's biggest names in contemporary art.
The result is a wild, eclectic art exhibit involving 30 artists who made canvases of five former military planes, about 35 nose cones, a wing, a cockpit and a bomb — the latter painted by Tucson's Daniel Martin Diaz.
"I think everyone will have a reaction to it. I don't care if they hate it — I want them to have an opinion of it," Firestone said.
Firestone opened a smaller version of the show, "Nose Job," at his East Hampton gallery last summer.
Involving more than two dozen artists, the exhibit expanded on the nose cone art that has its roots in pre-World War II fighter planes - an art form most artists know, according to McCormick.
Its success only served to whet Firestone's appetite: He wanted more, he wanted bigger, and he wanted to bring it all to the expansive Sonoran Desert.
The Tucson exhibit opened Jan. 28 with music, dancing and some of the artists in attendance. It drew more than 1,400 people — one of the biggest events the museum has had, said Scott Marchand, Pima Air & Space's director of collections.
Displayed in the first hanger visitors come to are the nose cones from the New York exhibit, and about a dozen more. There are nose cones with glitter, lipstick kisses, exploding flowers at the tip, fluttering butterflies and space aliens.



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