Peter Jackson's 'Hobbit' doubles film speed to 48 frames

PARK CITY, Utah — Peter Jackson is making his hobbits and dwarves march double-time in his "The Lord of the Rings" prequel, which he's shooting in a faster film speed than the Hollywood standard.

Jackson hopes the 48-frames-a-second rate — twice the 24 frames that has been the custom since the 1920s — will help bring about a gradual transition to faster speeds that can bring more life-like images and action to the screen.

Digital cameras allow for shooting at 48 frames or faster, reducing the blurry effect known as strobing that can come with 24-frame filming.

Jackson said he hopes there will be a fair number of theaters equipped with digital projectors that can handle the faster film speeds by December, when Warner Bros. will release "The Hobbit: An Unexpected Journey," the first chapter in his two-part adaptation of J.R.R. Tolkien's fantasy classic.

"You shoot at 48, project at 48 and you get an illusion of life that's remarkable. You don't realize just how strobing and how flickery 24 frames is," Jackson said at the Sundance Film Festival, where he presented the documentary "West of Memphis," produced by him and his wife, "Hobbit" co-writer Fran Walsh. "You look at something at 48 frames, and it looks gorgeous. It looks like real life. It's amazing."

Other digital pioneers are making the same push for higher film speeds. "Avatar" creator James Cameron has said he will shoot the sequel to his science-fiction blockbuster at 48 or 60 frames a second.

At the CinemaCon convention for theater owners in Las Vegas last March, Cameron showed footage he shot at 24, 48 and 60 frames a second. The faster speeds noticeably reduced or eliminated blurriness in action sequences or when the camera panned and dollied down the length of a crowded banquet table.

As Hollywood moved into the digital age, movie makers generally have stuck with the 24-frame speed at which celluloid film moves through cameras and projectors. "The Hobbit" will show that it's an outdated way to shoot films, Jackson said.

"I'm hoping it'll be just the first gentle step into changing film rates because we can change them, especially with all the digital technology now," Jackson said. "Twenty-four is irrelevant. It doesn't mean anything anymore. It's just a traditional thing. It's far from the best visual way to present a film."

"The Hobbit" has had a hard road to the screen after Jackson's blockbuster "Lord of the Rings" trilogy," whose 2003 finale, "The Return of the King," swept the Academy Awards with 11 trophies, including best picture and director.