"Godspell," which has long been a standard show put on in colleges and high schools, captures the best of the old and embraces the new: At intermission, some cast members stay on stage for the traditional boogie with the audience — yes, free wine is handed out — and yet this new version has the parable about Tribute to Caesar illustrated by Jesus putting a coin in a tip jar. Costumes by Miranda Hoffman remain true to that dynamic, with the use of multicolored pants and suspenders as a nod to the hippy past, and prom dresses, sneakers, a bowling shirt and leopard prints a sign of the new.
It all ends badly, of course — for Jesus, not the show. The second act is a bummer, though Jesus' death is sensitively handled. But as his followers carry his body away — their faces glisten with sweat and they are visibly moved — it's clear that "Godspell" has anointed a new group of Broadway stars and we are the richer for it.
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