Bloom's own appreciation for the King James and the Hebrew Bible began as a young orthodox Jew and has stuck with him ever since.
Adolescence and career
Born on July 11, 1930, in the old east Bronx, Bloom's family spoke only Yiddish — his father was born in Odessa, Russia, and his mother in a little village on the Russia-Poland border.
The youngest of five, Harold read and memorized the Hebrew Bible and taught himself English through reading, among other things, the King James Bible.
By the time of his bar mitzvah, Bloom was far from orthodox. Quibbling with the rabbis surrounding him, he felt like a natural-born "gnostic heretic."
An omnifarious reader with an incredible memory, Bloom went to Cornell at age 16 to study the classics, learn Greek, Latin and the Romance languages.
"He was a prodigy, beyond anything I'd ever seen — and there was never anyone since who came close," said Bloom's adviser at Cornell, M. H. Abrams, according to a New York Times profile. "We insisted that he go to another university for graduate school. We couldn't teach him anything more."
After a stint at the University of Cambridge in England, Bloom went to Yale where he found his future-wife Jeanne — four months of dating and they were married.
"I have increasingly come to understand that nothing else finally matters except for marriage," says Bloom, "that's what has sustained me all these years."
Of course, professionally speaking, his incredible memory, Yale doctorate and unique genius propelled him to the lofty echelons of the academy's literary cabal; a place where he all-too-frequently had to play the gadfly.
Nonetheless, the very skills that helped him rise to prominence, began as a boy reading the Bible — the same book he has returned to as an old man in "The Shadow of a Great Rock."
New book on old book
It's a book Bloom has been writing his whole life, he says.
"Even as a child in the Hebrew, I heard the beating cadence in my ears, and when I first read the King James I responded to that as much as to anything."
Much of the text is taken up in comparing the relative aesthetic merits of the King James against its predecessors, including the Tyndale translation, the Geneva Bible and the Hebrew Tanakh. Yet, the greatest strength of Bloom's volume comes in helping the reader navigate to, and through, the finest literary passages of the Bible; explaining how the ancient verses have influenced the past four centuries of Western literature.
While Bloom insists that the book is not theological in nature — it's mostly meant to help nonbelievers appreciate the literary value of the Bible — the text nonetheless subtly reveals Bloom's own theological idiosyncrasies.
All of which fit uniquely into his own form of Jewish Gnosticism: a non-dogmatic flux of beliefs, integrating a love of Shakespeare, the works of various religious mystics, philosophers, poets and surprisingly, 19th-century Mormons.
On the Mormons
"Joseph Smith was a great religious genius and perhaps the only one this country has ever produced," he says. "Not even Jonathan Edwards, not even my hero Ralph Waldo Emerson has had such an original and prophetic a discourse as (Joseph Smith's) King Follett Sermon. An amazing person; I always feel that if we had gotten to know each other we would have gotten along splendidly— Joseph Smith hovers in me. There cannot be too many Mormons who are as imbued with him as I am in my own odd way."
Bloom also praises the "fascinating" Parley P. Pratt (a 19th-century LDS apostle) and the "heroic" John Taylor (the third president of LDS Church); stating quite firmly, "the great affinity between Judaism and 19th-century Mormonism is that each is the phenomenon not of a people becoming a religion but of a religion becoming a people."
He praises Joseph Smith's "fierce insistence upon education," calling him "a furious autodidact who read everything and absorbed it." Of course, once again, Bloom could be describing himself.
"I translate the Hebrew brucha (the blessing) to mean more life and indeed more life on into a time without boundaries — I think Joseph Smith found that blessing for himself; and it's an astonishing breakthrough on his part."
A breakthrough that Bloom finds equally throughout the Bible, 19th-century Mormonism and in places as disparate as Walt Whitman's "Song of Myself," a poem he feels is one of the many literary works basking in the shadow of a great rock.
In his very next breath he turns to me and bellows out Whitman's Bible-infused cadence as a strong defense for the Bible's prominent place within the canon:
"Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers and the women my sisters ...
And that a kelson of the creation is love."
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