Movie critics have the best job in the world. Until someone asks them to rank their favorite Coen brothers movies, in order, all 15 (counting "True Grit," which opened Wednesday). Numbered. For the record. Until the end of time.
Ask me a hard one, why don't you?!
I've withstood the controversy that swirled around "The Passion of the Christ." I stood up against the legions of Beatles fans who begged to differ with my assessment of "Across the Universe." I'm still getting e-mails questioning (to put it politely) how I could call the quirky comedy "Adventureland" "hilarious!" I cheerfully claimed my lifetime get-out-of-jail-free card for my inexplicable but enduring affection for "Death to Smoochy."
But nothing, I guarantee, has prepared me for the hue, cry and buzz saw I'm about to encounter as I walk this cinematic plank. Pray for me. (Oh, and I was right about "Across the Universe.")
Here with my favorite Coen brothers movies, ranked in descending order of how eager I would be to watch them again at the drop of a hat (which everyone knows is much less foolish than a man chasing his hat):
1. "Fargo" (1996) This choice reminds me of a cartoon I saw once, where two gorillas are eating bananas and one says to the other, "I know everyone loves bananas, but I really love bananas." I really love "Fargo." The wintry atmospherics, the Minnesota accents (they're my people, I can vouch that these were spot on), the absorbing story line, Carter Burwell's grave, melancholy musical score. But mostly I love "Fargo" for the gift of Marge Gunderson (played with sensitivity and implacable force by the sublime Frances McDormand), who so perfectly personified the movie's balance between dark comedy and deep moral seriousness.
2. "Miller's Crossing" (1990) If I weren't so amused by the fact that Newt Gingrich and I agree on something, I might have made this one No. 1, if only to remind readers of its elegance, style, humor and irresistible leading man in Gabriel Byrne. You know him now as a conflicted therapist on HBO, but in this Prohibition-era noir drama, he was a young man laconically navigating a dark underworld of crime and forbidden desires. A flawless example of the Coens' style harmonizing sweetly with the subject at hand.
3. "Raising Arizona" (1987) I understand some viewers' quibbles that this satire on baby lust goes off the rails (most often thanks to John Goodman's strident performance as a hulking, hirsute prison escapee), but I have a weakness for its bent humor and an affinity for the shots it takes at kids-as-commodities culture. Plus those deathless lines: "Edwina's insides were a rocky place where my seed could find no purchase." "There's what's right and there's what's right and never the twain shall meet." "I just love biblical names. If I had another little boy, I'd name him Jason, Caleb or Tab." Perfection.
4. "Blood Simple" (1984) The Coens' assured, astonishing debut film, a gritty piece of Texas noir that can still scare the jujubes out of you. A small, spare masterpiece of atmosphere, taut pacing and screen acting from McDormand and M. Emmet Walsh. Shivers.
5. "O Brother, Where Art Thou?" (2000) The Coens have their weaknesses, and one of them is re-creating Hollywood genres less as works of genuine feeling than facile pastiche. This, happily, is a work of genuine feeling, even if they're just paying homage to better films. For the real thing, I still prefer "Sullivan's Travels," but for a respectable nod to Preston Sturges and "The Odyssey," this sepia-toned period piece possesses a jaunty, infectious joie de vivre — not to mention George Clooney pulling off a dapper Clark Gable mustache. Extra points for giving Ralph Stanley a richly deserved comeback on T Bone Burnett's gorgeous old-timey soundtrack.
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