Salt Lake City Film Festival to screen more than 20 narrative and documentary features

Even the organizers and creators of the Salt Lake City Film Festival weren't entirely convinced the event would survive its first year.

As festival co-director Matt Whittaker explained, "Last year could have gone any which way. Our fingers were crossed the entire time with the hope that people would show up.

"It wasn't easy marketing a film festival with no budget to market with," Whittaker continued. "Our whole push was so grass roots, and, well ... awesome."

But co-director Chris Bradshaw says he and Whittaker were relieved "when some of the bigger screenings started and the crowds were pouring out of the theater entrance.

"It was that realization that made me even more pleased with our event," Bradshaw continued. "Our community is amazing at supporting the arts."

Both men say that the event, which was originally envisioned as a one-day festival, has "snowballed" in just a year.

In fact, "we had to put a saddle on (the) growth," Bradshaw said.

This year's festival has expanded to two more venues: Brewvies Cinema Pub and Broadway Centre. (They join the Post Theatre at Fort Douglas and the Tower Theatre, the festival's supposed "home base.")

Those theaters will host a full slate of independent film programming. This year's festival will screen more than 20 narrative and documentary features, as well as an equal number of other, shorter works.

Bradshaw and Whittaker say the 2010 selections stack up favorably with the 2009 ones. (Among last year's features were "Best Worst Movie" and "White on Rice," both of which were hits with the crowds and got theatrical distribution.)

Also, "a lot of our films in this year's programming have significant Utah roots, and we like that," Whittaker said.

They include two sure-to-be-talked-about documentaries: "Cleanflix," about the controversial movie-editing business, and "Sons of Perdition," which looks at the Colorado City polygamist community.

"Perdition" co-director Tyler Measom said the festival screenings "will be particularly sweet for us because of all the people here that gave us support in making this film over the past four years."

He said he and co-director Jennilyn Merten "expect to start a new dialogue on a subject that many are invested in here.