3 excellent classical CDs have Utah ties

ANDRES CARDENES, VIOLIN; IAN HOBSON, CONDUCTOR; SINFONIA VARSOVIA; SINFONIA DA CAMERA; Barber, Stock, Copland: Violin Concertos (Albany Records) ★★★★

HASSE BORUP, VIOLIN; HEATHER CONNER, PIANO; Gade: Violin Sonatas (Naxos) ★★★★

THE SUNDANCE TRIO; Music by Dring, Angerer, Bush, Sargent, Griebling-Haigh (Centaur) ★★★★

Here are three discs with Utah connections that are worth having.

Andres Cardenes is a former concertmaster of the Utah Symphony who until recently served in the same position with the Pittsburgh Symphony.

For years, he has also been active as a soloist, and he is a musician who deserves all the accolades he has been garnering for his playing. He is an amazing violinist who plays with a beautiful, rich tone. He is very musical, as well as possessing wonderful technical skills. His most recent album — with concertos by Samuel Barber, David Stock and Aaron Copland (actually an orchestration by the Utah Symphony's associate concertmaster Gerald Elias of the composer's Violin Sonata) — is a wonderful collection of works that showcases Cardenes' multifaceted artistry.

Without question, Barber's is one of the most frequently played and recorded 20th-century violin concertos, but it's always nice to have a new recording of it. And Cardenes and conductor Ian Hobson and the Sinfonia Varsovia do a wonderful job with it. They capture the passion of the opening movement, the poetic lyricism of the andante and the fiery virtuosity of the closing perpetual motion compellingly. This recording is a winner.

Stock's Violin Concerto was written for Cardenes and the 100th anniversary of the Pittsburgh Symphony and was premiered by them in 1996. The work is obviously indebted to Barber in its harmonic language and general writing for the solo instrument and the orchestra.

Cardenes gives a dynamic reading of the concerto. He makes the technical demands that Stock places on the soloist in the first and especially in the third movement seem easy. This is a potent performance in which Cárdenes shows that he is a master of his instrument.

Elias' orchestration of Copland's Violin Sonata is well thought out and executed. The work doesn't lose anything in this new version — if anything, it enhances the music. It's a very lyrical work and allows Cardenes to put his expressive side on display here. He gives a meticulously crafted reading that is nuanced and eloquent. And his playing is matched by Hobson's accompaniment, this time with the Sinfonia da Camera.

This is definitely an album that should be part of anyone's collection.