Another Friday, another abominable movie that wasn't screened for critics before it opened.
Seemed like it couldn't get much worse this year, following "Grandma's Boy," "Underworld Evolution," "When a Stranger Calls" and "Doogal."
But it has. And it's called "Ultraviolet."
The movie is intended and we're not making this up as a futuristic, comic-book re-envisioning of the 1980 John Cassavetes film "Gloria." It is overstyled, deafening and incoherent.
Milla Jovovich stars as Violet, an angry young woman who's lost her husband and her baby after being infected with a blood disease. This has turned her into a "hemophage." Or a vampire, or something. Whatever it is, it's made her and others like her a target for the pureblooded humans, led by the obsessive-compulsive government honcho Daxus (Nick Chinlund). And it's given her mind-bogglingly complex martial-arts skills.
Writer-director Kurt Wimmer, also responsible for the visually and thematically similar "Equilibrium" from 2002, says he created the role with Jovovich in mind. The L'Oreal spokeswoman is admittedly a spectacle to behold in her low-slung pants and perfect lip gloss but she's impossible to take seriously.
Anyway, Violet's maternal instincts compel her to protect a young boy named Six (Cameron Bright) who's actually a clone designed as a weapon that could wipe out all of humankind. Or something.
With his moon-shaped face and enormous blue eyes, Bright possesses an otherworldly look appropriate for the role. But he's also a really poised, intelligent young actor, much more so than "Ultraviolet" would indicate. He more than held his own with Nicole Kidman and Lauren Bacall in 2004's "Birth"; you should also check him out later this month as Aaron Eckhart's son in the hilarious "Thank You for Smoking."



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