Magnolia

The comparisons to Robert Altman's disconnected "Short Cuts" are too obvious, and don't do this much more satisfying movie justice.

Admittedly, some of the odd coincidences that link the tales are incredible, particularly the truly off-kilter ending. Yet it's completely in keeping with the tone of the piece. And besides, what the film has to say about family relationships, abuse and regrets will stick with you.

In addition to his breathtaking story weaving, Anderson has put together one of the best ensemble casts in recent movie history. The performances here are at least as good as those in "American Beauty."

Cruise is the obvious standout for his on-fire portrayal of the not-really-secure Frank (he's a sure Oscar nominee), but there are other performances equally deserving of nominations, including Reilly's dead-on cop routine and Robards' turn as a regretful family patriarch.

And Walters, Moore and the always-steady Philip Seymour Hoffman provide the drama with its true emotional center.

The film also offers one of the best uses of music in quite some time, as dialogue intertwines with lyrics of Aimee Mann's winning original songs (including a surprisingly emotional sequence in which the characters sing "Wise Up").

"Magnolia" is rated R for considerable profanity and use of crude sexual slang, as well as some vulgar gestures, simulated drug use (cocaine), violence (mostly gunplay), simulated sex, female nudity and use of racial epithets.