Nobody's Fool

Paul Newman has always played complicated characters, people with as many negative as positive traits. No blue-eyed, matinee-idol posturing for him, with roles as hard-nosed as the alcoholic lawyer of "The Verdict," the fall-guy pool player in "The Hustler" and, of course, "Hud," "Cool Hand Luke" and a host of others.

It's no contradiction that these less than sympathetic characters become compelling and understandable human beings in the capable hands of a top-flight actor — and that's Newman to a T.

So it is a pleasure to see that his latest starring vehicle, the comedy-drama "Nobody's Fool," is yet another major success in this gallery of underdogs — the disillusioned, live-for-the-moment and perpetually down-on-his-luck Donald Sullivan, known to his friends as "Sully."

The film is episodic in nature, with more of a series of incidents and subplots than a central story line.

Set in a small town in upstate New York, the film has Sully living as a boarder with his former eighth-grade schoolteacher Miss Beryl (the late Jessica Tandy), who, after all these years, still continually encourages him to try and reach his potential.

A 60-year-old construction worker with no money and no prospects, Sully periodically takes on jobs for Carl Roebuck (Bruce Willis), a local contractor whom Sully is suing over his bum knee. It's a love-hate relationship — and not all that dissimilar to the one Carl has with his wife Toby (Melanie Griffith), who is tired of Carl's cheating ways.

Then there's Sully's Jewish lawyer Wirf (Gene Saks), who is prone to putting his wooden leg into the pot during poker games; Sully's dull-witted best friend Rub (Pruitt Taylor Vince), his construction-job helper; and Miss Beryl's banker-son Clive, who is trying to land a theme park contract to inject some economic life to the flagging town.

Most of the film is made up of Sully's encounters with these characters, as he reluctantly tries to help them solve their problems. But at the film's core is his estranged relationship with his adult son Peter (Dylan Walsh). After a chance encounter, Sully tries his hand at being a grandfather to Peter's young boy. He's not very good at it, but his efforts gradually bring about a tenuous reconciliation.