However twisted, the basis for all this is one terrific idea, and it's told very well, with sophisticated, computer-enhanced stop-motion animation and 10 delightful songs that drive the story, courtesy of Burton's longtime music collaborator Danny Elfman, who also sings two of the film's roles.

As the warbling voice of Jack, the lead character, Elfman reveals a surprisingly adept acting ability (not to mention a gorgeous voice). (Chris Sarandon provides Jack's speaking voice.) Also very good is Catherine O'Hara, as the rag doll that loves Jack, a sort of Raggedy Ann and "Bride of Frankenstein" blend.

Still, as good as the story is, there is no question that the screenplay, by Caroline Thompson ("Edward Scissorhands," "The Addams Family") and Michael McDowell ("Beetlejuice"), could use a boost. The film sags here and there and the romance barely gets off the ground.

But Burton, Elfman and director Henry Selick, whose camera movements are more inventive than most live-action pictures, have certainly created one of the most surprisingly unique films to come along in many a full moon.

And while parents may want to steer very young children in another direction, everyone else will likely find much to enjoy here.

"The Nightmare Before Christmas" is rated PG for comic violence and scary themes.