But let's face it, "Batman Forever" is little more than a stunt-driven thrill ride, and in that regard director Joel Schumacher ("The Client," "Flatliners") pushes all the right buttons. The razzle-dazzle art deco variation of Gotham City, the garish colors conjured up for parties and street life (with one scene that seems to owe something to Walter Hill's "The Warriors"), the eerie recesses of Wayne Manor, the crazy chases, fights and rescues and gadgets that would make James Bond feel envious — all are thrilling and amusing, if a bit dizzying.

Kilmer is good as Batman, though one could argue that Keaton brought the character more dimension and a welcome bit of quirkiness, and Kidman is luscious as the most unlikely psychiatrist we've seen in the movies in some time. And it's nice to see two returning players — the only two who have been in all three "Batman" movies — Pat Hingle as Commissioner Gordon and especially Michael Gough as Alfred.

Jones obviously relishes his role, which is maniacally over the top, but he's outgunned by the wacky Carrey, whose prancing, mugging and wacky one-liners steal every scene he's in. O'Donnell also manages to stand out in a picture that seems a bit crowded.

Violent but bloodless, loud but not profane, this second sequel seems to have learned from the parental backlash earned by "Batman Returns." It's kid-friendly. At the same time, there are enough in-jokes (including a reference to the old "Batman" television show and a nod to "Superman") to appeal to their parents.

There will no doubt be some in the audience who will feel that the frantic editing and overloaded woofers and tweeters make for a headache-inducing experience. But even if a slight headache hovers, there is no question that this is exhilarating fun.

Twinkies are enjoyable once in awhile.

"Batman Forever" is rated PG-13 for considerable violence, as well as a few mildly vulgar remarks (double-entendres from The Riddler).