Christie shies away from awards

SANTA MONICA, Calif. — Julie Christie jokes that she comes out of seclusion to do a movie about once a decade. And just about as often, the Academy Award-winning actress earns an Oscar nomination for the effort.

The same could happen with Christie's remarkable performance as a woman succumbing to Alzheimer's in "Away From Her." The Oscar buzz began more than a year ago when the movie debuted at the Toronto International Film Festival, continued after the movie hit theaters last May, and remains as strong as ever. (On Thursday, Christie earned a Golden Globe nomination as best actress.)

A best-actress Oscar winner as a model who sleeps her way to the top in 1965's "Darling," Christie quickly became choosy about films. Yet she found plum roles that earned her two more nominations, for 1971's "McCabe & Mrs. Miller" and 1997's "Afterglow."

A homebody who prefers to stay on her small farm in Wales, the 67-year-old Christie dreads the thought of being back in Oscar contention.

"Deep anxiety. Huge anxiety," Christie said of the awards rigamarole, which drags on for months until the Oscars finally are handed out Feb. 24.

In an interview with The Associated Press at a luxury beach-front hotel, Christie described how out of place she feels when publicists and awards handlers plot strategy to keep her in the minds of voters for the Oscars and other film honors.

"It's like, 'You may have to go to Mars and pretend to be a Martian,"' Christie said. "I think, oh, I don't know any Martians. Can you give me some rules? And you're told, 'No, you've just got to make up how to be like a Martian, and you must not be discovered.' So the moment anyone says the word Oscar, the anxiety sets in."

The O-word was inevitable for Christie's performance in "Away From Her," the directing debut of actress Sarah Polley, who adapted the screenplay from Alice Munro's story "The Bear Came Over the Mountain."

Christie plays Fiona, a woman whose long, sometimes shaky marriage to a once-adulterous but now steadfast husband, Grant (Gordon Pinsent), goes into decline as her memory fades from Alzheimer's.

To ease Grant's pain, Fiona checks herself into an institution while she still retains most of her faculties. But she deteriorates so quickly that she no longer recognizes Grant, who suffers through quiet jealousy as his wife transfers her affections in a flirtation with another aging patient.

Christie remains as luminous as in her "Darling" days, radiating the effervescence of the woman Fiona once was even amid her mental decline.

Did the role make Christie consider her own mortality?