From Deseret News archives:
All fired up 'Recycled glass artist' says her favorite project is whatever is in her kiln
Rusho describes herself as a "recycled glass artist," who not only works with recycled glass but has also recycled herself from burned-out business person into an artist.
It all began when Rusho got interested in making her own jewelry, including making her own glass beads.
"I bought the biggest kiln available," said Rusho. "Then I had no money left over for glass. But I couldn't wait to use the kiln, so I went and melted a bunch of recycled glass."
Rusho was fascinated by the glass and became addicted to the new art form, but at first getting recycled glass was a problem.
"In the beginning, I would drive around Sugar House during spring cleanup and take (recycled) glass off people's piles," said Rusho. "One time, I made three trips to the same home to get a 4x4 piece of glass. I couldn't fit it in my small car, so I came back with my Explorer, but it still didn't fit. I finally had to come back a third time and cut it with my tools right there on the street to put it in the back of my Explorer."
Now Rusho has people bringing her glass so much, in fact, she doesn't give out her home address anymore and asks for people to call her first about glass donations.
Stacks of windows and bags and boxes of bottles have taken over the back half of Rusho's driveway.
"I'll go through most of this in a week," said Rusho, pointing to the bags and boxes nearby.
Rusho is a warm-glass artist, which means she puts her piece in the kiln at room temperature and takes it out at room temperature. She never handles the glass while it's hot, like a glass blower does.
"It takes more planning," said Rusho. "The end result happens while you're not there. You have to know what you want the results to be and think backwards of the steps it will take to get there."
Rusho is good at creating the end result she wants. Her finished artwork comes in all shapes, designs and textures. The colors are predetermined by the piece of glass that was donated and sometimes the charter of the glass as well. Rusho explained that the thickness, hard-water stains, the age of the glass and the manufacturing techniques used to make the original glass all play into her designs. Rusho also uses different glass-making techniques called fusing, inclusion and slumping to creatively enhance clear glass into beautiful bowls, trays, ornaments and jewelry.
The combinations of glass and technique seem endless to the self-taught Rusho.
"As long as I can think up things," said Rusho, "I never have a shortage of things to try."










