From Deseret News archives:
Art lessons Pieces from the Salt Lake School District's collection on display
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It is fitting then that the exhibit is at the MUAH, whose mission is to foster an awareness of, and excitement about, Utah art.
Most of the 50 artists whose work was selected for inclusion in the show will be instantly recognized: Cyrus Dallin (1861-1944), Avard Fairbanks (1897-1987), ElzyJ. Bird (1911-2001), Minerva Teichert (1888-1976), J.T. Harwood (1860-1940), Alvin Gittins (1922-81), John Hafen (1856-1910), Lee Greene Richards (1878-1950), Henri Moser (1876-1951), Florence Ware (1891-1971) and George Dibble (1904-92).
As in every exhibit, "A Century of Art" has a few weak pieces, but for the most part, the show is replete with fine works that will please even the most discriminating viewer.
Cyrus Dallin's 1899 bronze of "Paul Revere" (a replica of his original, which is in Boston) is an excellent example of the sculptor's talent; it is also positioned for best effect in the exhibit space.
Many viewers will be familiar with Minerva Teichert's painting "Soldier and Indian," due to its appearance in various printed publications, but to see it live is an immense pleasure. Witnessing her drawing technique and paint application makes any traveling to see this exhibit worth it.
J.T. Harwood's 1928 color etching "The Cascade" genuinely exhales mood; it is one of the finest works in the exhibit. And George Dibble's 1950 watercolor "Wasatch Mountains" is a confident abstract awash with vibrant color. It is highly accomplished.
One of the lesser-known artists in the show, Bessie Bancroft (1887-1945), taught at West High School for 39 years. Her watercolor "Lilies Climbing the Fence" is delicate yet rich in subdued color. A fine addition to the show.
Excellent contributions to "A Century of Art" are the brief historical bios on the artists and the paintings. Not only are they helpful in understanding why the artists painted what they painted, they add historical context about the nature of the artwork.










