Fans wait to get a copies of "Glorious Appearing" autographed by authors Tim LaHaye and Jerry B. Jenkins, center rear, at The Christian Supply store in Spartanburg, S.C., in March.
Mary Ann Chastain, Associated Press
The lesson from this week's best-seller list is simple: God sells. But what worries some scholars is that the hottest religious books depart from traditional Christian teaching or distort the faith's origins.
The latest pulse-pounder in the "Left Behind" series about the end of the world "Glorious Appearing" couldn't have appeared more gloriously, at No. 1 among Publishers Weekly's fiction best sellers. It edges out another religion-themed novel, "The Da Vinci Code," which has ranked among the top three for 54 straight weeks.
American's fiction market has never seen such a juxtaposition, says Publishers Weekly religion editor Lynn Garrett. Combined with the success of Mel Gibson's film "The Passion of the Christ" now eighth on the U.S. all-time box-office list it makes an obvious statement.
"Whether they feel negatively or positively about religion, people in American culture think about and care about it," Garrett says.
Jerry Jenkins, co-author of "Glorious Appearing" with Tim LaHaye, calls the phenomenon "God hunger people looking for something beyond themselves."
Yet the success of the books troubles some critics, largely because the authors have made unusual claims that though they employ fiction what they're writing is true.
Dan Brown's "Da Vinci Code" is a thriller whose characters malign traditional Christianity as fraudulent. But both liberal and conservative writers say it's rife with errors.
Among inaccuracies they list: The characters' claims that belief in Jesus' divinity appeared in the fourth century rather than the first century; that the four New Testament Gospels became authoritative in the fourth century rather than the second century; and that the Dead Sea Scrolls and Gnostic writings (deemed heretical by the church) contain the earliest Christian records though one Gnostic text does have some scholarly promoters.
"Da Vinci" also supposes that Jesus married Mary Magdalene and sired a royal Judeo-French bloodline that still exists and that sinister Christians suppressed this. That plot comes from the 1982 book "Holy Blood, Holy Grail," which a New York Times reviewer called "rank nonsense."
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