LOS ANGELES — Hollywood's modern man of a thousand faces, Ron Perlman, never minded hiding behind rubber masks and mounds of makeup early in his career.

Perlman, who reprises his title role as a wisecracking demon turned superhero in "Hellboy II: The Golden Army," says he was able to put more into his acting when he was disguised as a caveman, a hunchbacked monk or the homely half of TV's "Beauty and the Beast."

"I probably appreciated mask acting more when I was a younger man than I do these days, because I wasn't real comfortable in my own skin in the early going," Perlman said. "Putting that few inches of rubber between me and the camera sort of freed me up to be more me than I was able to be as me.

"Little by little as I've gotten older, those concerns have kind of melted away," the 58-year-old Perlman said. "I'm much more comfortable in my own skin, but I thank God for those mask roles in the early days. They allowed me to kind of get an expansiveness and freeness that I probably wouldn't have had otherwise."

Perlman never set out to become a contemporary Lon Chaney as he moved from live theater into film and television in the early 1980s. His first big-screen role put him on that path, though, as he played one of the prehistoric men in Jean-Jacques Annaud's "Quest for Fire." Annaud later cast Perlman as the hunchback who winds up burned at the stake in "The Name of the Rose." Perlman starred as one of TV's strangest heartthrobs in "Beauty and the Beast," playing a noble, refined man-lion who lived underground and had an unusual romance with a beautiful attorney (Linda Hamilton) from the surface world.

"That's a testament to just his talent and how he loves playing characters, that he can do it under even inches of rubber makeup. That he can still let a character shine through when it's even that much harder," said Selma Blair, who plays Hellboy's fiery girlfriend. "No one else could do it. That's why he winds up the one under all that rubber."

Perlman, who grew up in New York City, began his professional career on the New York stage after earning a master's degree in fine arts.

His true face has appeared many times on screen in such flicks as "Alien: Resurrection," "Enemy at the Gates," "The City of Lost Children" and the Academy Award-winning short "Two Soldiers." Yet Perlman is best-known for creature-feature parts, an animal-human hybrid in Marlon Brando's "The Island of Dr. Moreau" or a Nosferatu-like alien in "Star Trek: Nemesis."

An odd sort of typecasting led to Perlman's repeated on-screen masquerades.